{"product_id":"paul-beaver-bernard-l-krause-the-nonesuch-guide-to-electronic-music-vinyl-vg","title":"Paul Beaver \u0026 Bernard L. Krause*: The Nonesuch Guide To Electronic Music (Vinyl, VG+)","description":"\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Very Good Plus (VG+)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Good Plus (G+)\u003cbr\u003e\r\n \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCountry:    \u003c\/strong\u003eUS \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e1968\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eElectronic, Non-Music\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eModern Classical, Experimental, Education, Sound Collage\u003c\/p\u003e\r\n\r\n\u003cp\u003eA1.  I. Peace Three 3:08\u003cbr\u003e.  II. Signal Generators \u003cbr\u003e.  A. Sine Waveform \u003cbr\u003eA2a.  1. Slow-Motion Audible Example 0:05\u003cbr\u003eA2b.  2. Composition 0:50\u003cbr\u003eA2c.  3. Harmonic Synthesis 0:33\u003cbr\u003eA2d.  4. Non-Harmonic Synthesis 0:37\u003cbr\u003e.  B. Sawtooth Waveform \u003cbr\u003eA3a.  1. Slow-Motion (Negative- And Positive-Going) 0:12\u003cbr\u003eA3b.  2. Composition 0:34\u003cbr\u003e.  C. Rectangular Waveform \u003cbr\u003eA4a.  1. Slow-Motion Audible Example (1\/8-1\/2) 0:28\u003cbr\u003eA4b.  2. Composition (Using 1\/8, 1\/7, 1\/3, 1\/2) 0:35\u003cbr\u003e.  D. Triangular Waveform \u003cbr\u003eA5a.  1. Slow-Motion Audible Example 0:05\u003cbr\u003eA5b.  2. Composition 0:20\u003cbr\u003e.  - \u003cbr\u003eA6.  E. White Sound Composition 0:13\u003cbr\u003e.  III. Control Generators \u003cbr\u003eA7a.  A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion 0:08\u003cbr\u003eA7b.  B. Sequential Voltage Sources. Composition 1:55\u003cbr\u003e.  IV. Frequency Modulation \u003cbr\u003e.  A. Keyboard Control \u003cbr\u003eB1a.  1. 12-Tone 0:32\u003cbr\u003eB1b.  2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves) 0:40\u003cbr\u003eB1c.  3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave) 0:31\u003cbr\u003eB1d.  4. Portamento 0:23\u003cbr\u003e.  - \u003cbr\u003eB2.  B. Ribbon Control 0:30\u003cbr\u003e.  C. Periodic \u003cbr\u003eB3a.  1. Vibrato Ⓢ (Speed Increases As Pitch rises) 0:28\u003cbr\u003eB3b.  2. Sine-Higher Frequency 0:27\u003cbr\u003eB3c.  3. Sawtooth-Swept 0:38\u003cbr\u003eB3d.  4. Rectangular 1\/2-Swept L2 0:32\u003cbr\u003eB3e.  5. Triangular-Swept 0:31\u003cbr\u003e.  D. Periodics Combined \u003cbr\u003eB4a.  1. 3 Square Waves At Different Frequencies 0:28\u003cbr\u003eB4b.  2. 3 Triangular Waves At Different Frequencies 0:37\u003cbr\u003eB4c.  4 Different Waveforms 2L 2N 2V 2S At Different Frequencies 0:46\u003cbr\u003e.  - \u003cbr\u003eB5.  E. White Sound 0:12\u003cbr\u003e.  F. Transient \u003cbr\u003eB6a.  1. Up An Octave, Back To Pitch 0:17\u003cbr\u003eB6b.  2. Up A 3rd, Back To Pitch 0:07\u003cbr\u003eB6c.  3. Down An Octave, Back To Pitch 0:09\u003cbr\u003eB6d.  4. Down A 3rd, Back To Pitch 0:13\u003cbr\u003e.  V. Amplitude Modulation \u003cbr\u003eC1.  A. Keyboard 0:13\u003cbr\u003eC2.  B. Ribbon Controller 0:10\u003cbr\u003e.  C. Periodic \u003cbr\u003eC3a.  1. Tremolo 0:25\u003cbr\u003eC3b.  2. Sine-Higher Frequencies (S Sweeping S) 0:47\u003cbr\u003eC3c.  3. Sawtooth (Negative- And Positive-Going Swept) 1:20\u003cbr\u003eC3d.  4. Rectangular-L2 Swept 0:28\u003cbr\u003eC3e.  5. Triangular-Swept 0:50\u003cbr\u003e.  D. Periodics Combined \u003cbr\u003eC4a.  1. 4 Square 0:44\u003cbr\u003eC4b.  2. 3 Triangular 0:23\u003cbr\u003eC4c.  3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ 0:23\u003cbr\u003e.  - \u003cbr\u003eC5.  E. White Sound 0:38\u003cbr\u003e.  F. Transient \u003cbr\u003eC6a.  1. Slow 0:08\u003cbr\u003eC6b.  2. With Rising Pitch 0:15\u003cbr\u003eC6c.  3. ∧∧∧∧∧ 0:14\u003cbr\u003e.  VI. Ring Modulation \u003cbr\u003e.  A. Sine Waves \u003cbr\u003eC7a.  1. Series Of Sub-Audible Constants 2:00\u003cbr\u003eC7b.  2. Tune In Parallel 0:40\u003cbr\u003eC7c.  3. Tuned In Opposite Direction 0:30\u003cbr\u003e.  - \u003cbr\u003eC8.  B. Sawtooth 0:33\u003cbr\u003eC9.  C. Rectangular L2 0:39\u003cbr\u003e.  VII. Filtering \u003cbr\u003eD1.  A. White Sound - With Fixed Filters Selected 3rd Octave 0:25\u003cbr\u003e.  B. White-Sound-Tuned Filters \u003cbr\u003eD2a.  1. Broad 0:43\u003cbr\u003eD2b.  2. Sharp 0:25\u003cbr\u003e.  - \u003cbr\u003eD3.  C. Low-Frequency Sawtooth-Tuning Through Harmonics 1:05\u003cbr\u003eD4.  D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics 0:50\u003cbr\u003eD5.  E. Swept With Ribbon Controller 0:40\u003cbr\u003e.  F. Periodic \u003cbr\u003eD6a.  1. Sine-Timbre Vibrato Effect 0:25\u003cbr\u003eD6b.  2. Sine-Variable Rate And Depth 0:36\u003cbr\u003eD6c.  3. Sawtooth (Descending And Ascending) 0:50\u003cbr\u003eD6d.  4. Rectangular \u003cbr\u003e.  G. Transient (Sawtooth With Transient Controlled Filter) \u003cbr\u003eD7a.  1. ----------------- 0:12\u003cbr\u003eD7b.  2. ----------------- 0:10\u003cbr\u003eD7c.  3. ------------------ 0:09\u003cbr\u003eD7d.  4. ------------------ 0:08\u003cbr\u003e.  VIII. Tape Delay \u003cbr\u003eD8.  A. Single Repeat 0:13\u003cbr\u003eD9.  B. Multiple Repeat 2:55\u003cbr\u003e.  - \u003cbr\u003eD10.  IX. Peace Three (Recap) 3:08\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBarcode and Other Identifiers:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/4259970528\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"Fourth Rock Records","offers":[{"title":"Default Title","offer_id":47565871087765,"sku":"4259970528","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0686\/7242\/2037\/files\/114478-0303692162b132343f31f62b132343f322165577989262b132343f325.jpg?v=1784049309","url":"https:\/\/shopsatmarsbeads.com\/products\/paul-beaver-bernard-l-krause-the-nonesuch-guide-to-electronic-music-vinyl-vg","provider":"The Shops at Mars Beads","version":"1.0","type":"link"}